Yewtree, DLT, Gambaccini and me

Paul Gambaccini sits at home, his diligently structured 40-year broadcasting career in tatters – a career built on hard work, intelligence, deep knowledge, a carefully cultivated public persona, and a courteous manner in private that never seems to flag.

Eleven months on bail, and no charge brought.

Did we even know that was possible? Are we not shocked that it’s legal?

This is Operation Yewtree at work, in which police and prosecution services seem to have dispensed with some of the hardest-won and longest established tenets of British justice.

I launched this blog at the beginning of 2014, just as BBC4 started running repeats of Top Of The Pops from 1979, including my own appearances.

Since then, many editions of the repeats have been cancelled because they were hosted by presenters who have come under Yewtree’s magnifying glass. More will be cancelled in the coming years – or else they’ll be edited to remove the guilty (or even the arrested-but-not-charged).

I’m not here to talk about the hateful crimes of Jimmy Savile, Stuart Hall and Rolf Harris. Good riddance to them, and God bless and help their victims.

What I am saying is: surely our police and prosecution services might have foreseen that the public would discern a difference between heinous paedophiles and rapists, and groping pillocks like Dave Lee Travis?

More to the point, they might have realised that the public would be seriously perturbed at the effect on the lives of those the police haven’t even charged. When do you think we will next hear from Cliff Richard?

But neither the police or the media seem to pay much attention to public feeling. To this extent, they appear to be acting more akin to Cotton Mather (the Salem Witches) than William Blackstone (Fundamental Laws of England).

The Facebook group Popscene has over 350 members. A significant portion, maybe half of them, are female. Throughout Yewtree, I haven’t seen a contribution from anyone, let alone a female, that says, regarding sexist gropers being prosecuted, “About time too”.

The thing that binds Popscene, apart from a love of pop music, is that many members are of a certain age. So a lot of these women have been through the era when, we are told, female employees were routinely assaulted and too afraid to do anything about it.

And yet Popscene women appear furious at Yewtree’s tactics in publicly outing those they are ‘investigating’, whether they charge them or not.

Jimmy Tarbuck, Jim Davidson and Freddie Starr are just three of those arrested, given maximum publicity, and released without charge. Others – no use to the police for publicity, so not named – have also been arrested and released without charge.

But they did manage to charge Travis with 12 offences. Unfortunately for them, after two trials, only one of the charges stuck, and then only for a short suspended sentence. Which tells you something about how the rules of evidence are being degraded.

I’m not saying what Travis did was excusable.

Also, just so you know, I never liked the man. That’s just me. Doesn’t matter why. It’s personal.

But still, imagine yourself in court, and the Crown’s QC is telling the jury: “It’s not for you to judge degrees of guilty.

“Don’t ask why we are trying something that could have been dealt with by a slap in the face.”

Really? We’re not allowed to ask that?

It doesn’t matter, she said, that the allegations “are not the most serious that courts have to deal with. ‘Is it serious enough?’ is not a question you have to worry about.”

Wow. I would have thought that was partly what juries were for – to tell the Courts at the very least when they are overstepping the bounds of common sense.

All of this has resulted in a spate of reminiscences and newspaper stories of ‘inappropriate’ (God, I hate that word) behaviour. Some of these stories are of events that happened less than 20 years ago. In the 1990s, The Spice Girls led us to believe that girl power had taken over, and that women knew how to deal with sexists like Travis.

But it seems not. Janet Street Porter recently told the story of a female editor of a 1990s television programme. The editor’s star presenter routinely presented himself ‘stark naked in the bath’ for daily meetings in his dressing room.

Complaining that you allowed yourself to be subjected to this indignity every day, day after day – isn’t that just whingeing?

I’ve spent a week trying to frame this blog in the least controversial manner. But it’s an almost impossible task. You’re reading my 53rd draft, and still I know it will offend. Because – all special pleading aside: we are a victim if we say we’re a victim – this is not how we conduct justice.

So let’s make it personal for a second. At the age of fourteen I told a fully mature 6′ 4” man – father of two toddlers I had just babysat – that, no, I didn’t want him masturbating me while I took a bath. Surely by the 1990s a grown woman could take personal responsibility for telling a grown man they should meet in an office, rather than in his bath?

In the Sunday Times this week, Camilla Long recounts her 2012 interview with Dave Lee Travis.

In 2012 she reported “I don’t think there was a part of my body he didn’t grope”.

In 2014 she reports that she “left the interview feeling like a non-person, odd and dirty and used”.

Is it just because I’m male that I find it difficult to understand why she didn’t say that first time around?

After all, Camilla Long is no shrinking violet. She is caustic and controversial. Last year she won the Hatchet Job Of The Year award for her review of the book Aftermath. She described author Rachel Cusk as “a brittle little dominatrix and peerless narcissist who exploits her husband and her marriage with relish”, who “describes her grief in expert, whinnying detail”.

So this is where we’ve got to, 45 years after Germaine Greer’s watershed work. A tough, professional woman, willing in print to attack a ‘sister’, but afraid to slap an ageing dj or knee him in the balls, or even just tell him to fuck off, despite the fact his wife and a photographer were in the vicinity. She put up with Travis’s behaviour for 90 minutes, she says. Why?

My mother and my grandmother, feminists before the word gained currency, would have wanted a word with Camilla. They’d have also wanted ‘a word’ with DLT. He would have regretted it.

No music this week. It seems, erm…..inappropriate.

Instead, here’s a clip of Morgan Freeman, around the 40th anniversary of Martin Luther King’s death, suggesting we stop talking about racism. I’m wondering if there is a woman out there, in the 45th anniversary year of The Female Eunuch, brave enough to address the discussion of sexism with a similar breath of fresh air.

Meanwhile, I’d like my 1970s back, please. But maybe that’s too much to ask. Or too trivial……

Daddy, was your childhood in black and white?

I am Driver 67 and I am a one hit wonder.

There, I’ve said it. After 35 years of frustration and embarrassment, my friend John Williams told me last year: get over it; embrace it; use it.

So I started to plan this blog where, each week, I will put up a song and tell you the story behind it.

And then, a couple of weeks ago, BBC4 started replaying the old Top Of The Pops I had appeared on. Suddenly the pressure was on to get the blog out there. I was trending on Twitter, according to the BBC.

So here it is. The Driver 67 Blog.

Some of the songs will be old; most you will never have heard. One a month will be new. Most will be my own, but occasionally I will talk about songs by people I know, or have worked with.

I’m kicking off with a new one, just so you know I’m still capable. Plus, if I’m going to blog about writing and recording songs, I thought I should start with a song that was pretty easy to write. That way it’s easy for me to explain the process.

Also, I imagine that most of the people reading this will be of a certain age and will relate to the lyrics, which is another good reason for kicking off with this particular song. (If you’re not ‘of a certain age’, welcome. I’m flattered!).

Mind you, ‘lyrics’ is pushing the definition a bit. What happened is this. I started to make a list of things that had happened in my lifetime, starting with childhood and working through to the present day. The headline to this blog is something my youngest daughter Lily said when she was about six. I was driving on a motorway and trying to explain there had been no motorways when I was her age, and that I remembered the first car in our street. And that’s when she asked the immortal question: “Daddy, was your childhood in black and white?”

Well, no it wasn’t, obviously. But where I grew up, in Wolverhampton, there were still – in the early 50s – streets lit by gas. One friend even claimed to remember the ‘knocker-upper’, the man whose job it was to extinguish the gas lights as dawn broke and tap on the windows of those whose shift was about to start.

The milk and bread were delivered by horse and cart. (Milk and bread were not the only commodities the horse carried with him. The gardeners in the street, my Uncle Jack among them, would be out in the street, early mornings, waiting with bucket and shovel: if the horse crapped outside your house, that was your manure for the week).

Of course, because of the war, there were no bananas, and television was a totally unknown entity to us. No-one we knew had one. I think I was nine before I even saw a tv, let alone watched it.

So my list started like this:

  • – Gaslights
  • – Horse and cart
  • – No bananas
  • – No TV

We were Irish. We were working class. Is the Pope a Catholic? Church was demanded. On Monday mornings, the nuns who taught us would ask each class, “Who didn’t go to Church yesterday?” There was no point lying. Lying about going to Church was a mortal sin. You’d rather suffer the cruelty of the nuns than imagine the Big Black Mark on your Immortal Soul which such a lie would surely cause.

So the list continued:

  • – Church on Sunday
  • – Nuns on Monday

I looked back on those days, and then looked at the world we live in now – computers, iPads, exploring Mars, instant communication, instant gratification – and I couldn’t help but ask the question:

How did we get from there to here in 60 years?

And, Bingo! There’s the song.

By the way, in case anything I say should sound like a complaint, let me say I LOVE the progress we’ve made in my lifetime. Of course I could moan that no-one’s going to pay me for writing this blog; and that I’m putting music out there for people to listen to for free.

Well, that’s my problem. I still haven’t worked out how to make this free-for-all pay for my life.

But just look at what I’m doing. I’m publishing my thoughts to the entire world. How many will read them is down to me and how clever I can be using Twitter, Facebook, Google etc.

And I’m putting music out there that I’ve recorded, on my own, in a room, in my house. How cool is that? No studios to pay for; no engineer getting in my way; no musicians to pay for; all the time in the world to make my mistakes and no-one else around to make me feel embarrassed by my inadequacy.

So this first song, This Is A Life, is a celebration not a plea for commiseration.

It takes us from gaslit streets to global communication, and simply asks: How did we get from there to here in 60 years?

It also has a couple of significant nods, mostly to Arcade Fire, whose almost retro approach to production and arrangement gave me the confidence to record this song exactly as I wanted to. I imagine seeing AF live today is like seeing Springsteen in the 70s.

Also, Paul McCartney has a song – That Was Me – which is really worth a listen.

And finally, a nod to my friend John Howard, who has shown that it’s possible to write about being older without being maudlin. More of that in a later blog.